Weeks of drifting gifts from blinding sky dump last year's Minnesota holiday bare ground memories. Snow inches on the road mix to root beer float slush above black ice occasionally exposed for perfect hookie-bobbin' conditions.
When I was six, the neighbor kid got the best of an ice fight. Frozen face burning within, my eyes descend down bare elm canopied street to find the approach of rolling sedan, legs scramble beneath torso inside puffed brown corduroy, half-pint offensive tackle's full force shoulder plunges into antagonist's back, murderously dreaming, boy slides, snow tires brake and skid at incline, but somehow grill fails to crush sixty-five pound pine cone frame squirreling for the curb.
Freeze shielded suburban shopping interiors long ago shoved winter garbed icy sidewalk feet shifters from downtown St. Paul, now preserved in black and white at Minnesota History Center with parking lot snowpile framing skyline of revitalized desertion.
Ever hoping for urban flight reversal, upscale "loft living" has arrived on former flood plain/ garbage dump Shepard Road. Working class immigrant West 7th re-imagined as West End Arts District with 19th century Schmidt's brewery--bought by Heileman in the 70s to produce Grain Belt now tattered sign of 1989 closing due to killer competitor wheaty fizz marketing blast of Clydesdale nationalism and animated frogs delighting nacho cheese dip munching football fan paunches--the centerpiece plan for a mixed use "urban village" includes 100 "artist live-work spaces."
Yet less than a mile down the road Summit Brewery, begun in 1986, thrives with "craft" beers sold throughout the Midwest and consumed by the quart at Axel's in Victoria Crossing where blond crew cuts revive the 80s in Cosby Show Argyle sweaters and, after cheers of encouragement, one jumps on stage for sticky hip re-enactment of Billie Jean as daughters of Thor lick lips to three inch captures of the event.
Although the T Cities house more Hmong and Somali immigrants than any other U.S. metro area, Crocus Hill remains a white bubble along Grand Ave, so when piano dueler starts harmonica several times, tantalizing cheers, only to switch tunes, then finally breaks into Billy Joel's ironic tribute to alcoholism, not a false dry eye in the place fails to sing along...
He says, Bill, I believe this is killing me
As the smile ran away from his face,
Well I'm sure that I could be a movie star
If I could get out of this place.
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