Torn and Frayed

"What school?" The man at the bus stop is talking to me. Apparently he overheard my cell phone discussion of fall semester's return.
"CSUN."
"Northridge, heh. You know the stadium there, close to Devonshire and Zelzah? We carved our names into this big oak tree back in '76, but they cut it down."
"Oh."
"Yeah. I ran cross country for Granada Hills High School under Coach Godfrey. He was tough, man. He really worked you, but he was good. They won 16 city championships."
"Oh Wow! So did you go to the state championship?"
"Some guys went, but you know that costs money. I didn't have the dough to go." He rubs his fingers together indicating "no bills."
"Ah, I see."

Looking at him now, despite his age and the fact that he is dragging the last puffs from a cigarette butt, you could see the long distance runner in him. In fact, he likely covered the same distance today, only now he did it with an overstuffed canvas backpack and bedroll tied atop, causing him to lean slightly forward. This meant he could not reach the speed of his youth, but he was in a different category of competition these days.

A layer of grime, commonly found on outdoor furniture in the city of smog, covered him from his long graying hair to his frayed sneakers. A long bushy beard reminded me of John Muir. Here he was trekking through San Fernando Valley, just as Muir had trekked through Yosemite, telling the world of its beauty. His skin, where exposed, was wrinkled and red from the sun. Living on the street had made him deeply attuned to L.A. design trends: his jeans had wide torn holes to expose his lobster like kneecaps.

Back in the 1950s, when young people began wearing blue jeans, it was to show solidarity with the struggling worker, so one wonders if the current fashion of wearing ripped jeans shows solidarity with the struggling street person. Maybe if these kids met this friendly conservationist of the twenty first century, he would inspire them by his creative fight for urban sustainability. The tear that rips across the denim thigh could signal the desire to tear apart the concrete that now kills the Los Angeles River. Reviving this waterway, a long battle engaged in by Friends of the Los Angeles River, would be a small but vital part of returning wilderness to San Fernando Valley. Another would be to have Jennifer Anniston, born in Sherman Oaks, return to the valley, and take her Chip and Peppers for a walk.

corn pops

One day when dad was a farmboy in southeastern Iowa, he noticed a big owl was falling silently into the chicken pen, piercing its claws into the necks of White Leghorns and Rhode Island Reds and snatching them for lunch. So he takes a chicken carcass and sets up a simple cage trap. When the owl went to grab the flesh, the cage would fall on it. As planned, the next day dad finds the big bird knocking its wings hopelessly inside the cage wires. Carefully, dad lifts up the cage and knocks the bird on its head with a big rock. Proud as a boy coming home with straight A's on his report card, he runs to tell grandma.

"Ma! I caught that owl that was stealin' our chickens. Come and see!"

"What? No. I don't want to see that."

Undeterred, dad decides to bring the dead owl to the door for grandma to see. But when he returns to where he left it, the cage is missing. That was one strong owl. Apparently it had only been knocked unconscious and had crawled off with the cage. Fortunately, it couldn't crawl far, so dad finds it and this time knocks the big head really hard 'til that owl is good and dead. He ties a rope around its neck and drags it to the door to show grandma.

"Ma! Look, I have the owl right outside the door!"

Grandma, a small but tough woman, daughter of Swedish immigrants, is scornful.

"What'd you do that for? Huh? What'd you go and kill that owl for?"

"But," dad says defensively, "it was killin' our chickens!"

There aren't too many wild birds left in Iowa, which is now the most industrialized state in the nation. This artificial landscape, revealed by Michael Pollan in his book The Omnivore's Dilemma, emerged from the systematic destruction of biodiversity and the creation of processed food's Hiroshima: corn fields.

The environmental disaster called Iowa came to mind when I recently learned of the new trend among Silver Lake hipsters to have classic Mercedes converted to run on biofuel. The enthusiasm for biofuel cars emerges from the same junior high school reasoning responsible for the electric and hybrid vehicle cultists. Perhaps the myth of the frontier farmer transforming the wilderness into fertile land through individual smarts and effort runs so deep that recognizing ecological interconnectivity would spark anomic suicide in numbers unmatched since Jonestown--and people just don't yearn for Kool-Aid like they used to.

Of course, "pioneer" is just another word for "genocide" and until you grow and process corn based fuel in your back yard using nothing but sunlight, it is NOT "eco-friendly".

Pedal to the Mettle

I used to be a bike rider. In Tempe I discovered biking in hundred degree heat was better than getting broiled by the sun at bus stops with little shade.

Monterey was a great biking city. I lived several miles from the nearest laundromat, so I would bike with a duffle bag full of dirty clothes balanced precariously on my front handle bars. The funny looks I received were compensated by the sights and sounds of sea lions found on the path between the wharf and Cannery Row. This path was the same one I rode on the way to the Pacific Grove Trader Joe's--up a mile long hill with at points a 40 degree incline. In the lowest gear of my rusted 3 speed a whining sound made me fear busting the bottom bracket, so I'd hop off and walk it up the steepest points. On the way down I tried to remember to tighten the little bolt on my pedal brake that stopped my foot from spinning free, being dragged to the asphalt, multiple broken digits and torn skin, as I pressed back trying to slow my jet like decline.

But now I walk to Trader Joe's just a few blocks down the street and bike riders annoy me.

They don't annoy me when they are in the street, but too often they buzz by me on the sidewalk--like just now at the Sepulveda and Ventura bus stop a guy with a black motorcycle helmet on a mountain bike. Why is he on the sidewalk? Because biking down a busy street like Ventura requires a certain madness. A madness of youth, like that of my cousin who I remember hitting a hundred as we drove a shortcut to the Quad Cities in his '70 Chevelle SS--a two lane road with one lane gravel and the other paved, so that coming and going we used the same lane and expected to avoid head-on collision by noticing the faint shine of headlights rising over the next hill.

Youth today have no problem launching their bikes down a half dozen stairs without helmet, but they fear biking down the side of Ventura like a serial killer. Which in a way it is since over 800 bicyclists are killed by cars each year.

Not all bike riders are kids looking to be the next the next Kevin Robinson. In fact, many are dishwashers and construction workers pedaling on Huffy's with squeaky chains in their aprons and steel toe boots because biking is even cheaper than the bus.

The answer to the clash of the carless--pedestrian vs. bicyclist--is of course bike lanes. But this is no San Francisco where a Critical Mass of bike riders began demanding the right to street space back in the early nineties with monthly rides where hundreds pedaled unpredictably through the streets, causing motorists heads to turn red with frustration until steam whistled out of their ears. The movement spread to cities across the country, and this month--Friday, August 25--bikers can help remind the world of the crime called Katrina, by hitting the streets for its anniversary.

L.A. has a few pedaling protesters. A group called CICLE fights for the bicyclists right to the road, and there are monthly rides in downtown, West L.A., Pasadena and Santa Monica--although notably none in the Valley. But the weakness of these rides reveals this city's dirty truth: it survives on nicotine fumes pumping through the lungs. Bike lanes would be putting filters on our Pall Malls, and what's the point if I can't taste the smoke?

O Superman

Superman, the man of steel, is in his seventies and living in Reseda, where I saw him get on the bus the other day. He's a little smaller than you might guess, about 5'6", and his skin sags somewhat. But his calves are still well defined, indicating the strength of his superhero days.

He's abandoned the Clark Kent disguise of a suit and tie journalist for the casual look of a retiree. He wears a white pocket T-shirt with a pullover tied around his waist and maroon hiking shorts. On his head is a baseball cap with a red bill, and on top of the cap is a white winter stocking hat. One might think this an unusual choice in the Valley heat, but perhaps it provides special protection for aliens. On the hat is a series of numbers written with a marker, a code that only secret agents understand.

Most other-worldly are his dark glasses. They appear to be the same horn rimmed frames of the past, but they are completely covered with tiny pieces of cellophane tape. It's as if he began to repair them at the corners or the nose bridge--as one often sees--and just kept layering piece after piece until he had transformed his frames into a mosaic by the most skilled of Italian artisans.



(Detail of arch mosaic from the mausoleum of Galla Placida, Ravenna from Furman University Classics Department.)

After sitting down he takes a rolled up plastic grocery bag from his pocket. Carefully, he opens it up to reveal a rectangle of aluminum foil. What? Is Superman selling crack? He unfolds the foil and inside is a row of neatly stacked coins. He thinks it over, chooses a few coins, places them back in their stacks, and chooses again. He folds back the foil, rolls it into the plastic bag and puts it back in his pocket. Finally, he slowly walks to the front and pays his fare.

Allan Kaprow, who passed away in April, introduced the concept of "Happenings" in the late 1950s. In distinguishing Avant Garde Lifelike Art from Artlike Art he wrote:

Avantgarde lifelike art is not nearly as serious as avantgarde artlike art. Often it is quite humorous. It isn't very interested in the great Western tradition either, since it tends to mix things up: body with mind, individual with people in general, civilization with nature, and so on.
--"The Real Experiment." Artforum 22: 4 (1983)

Superman always had an important role in the genealogy of performance art. One finds him in "Shoot" by Chris Burden, the flying flesh of Stelarc and of course the music of Laurie Anderson. In his golden age of the 1940s Superman boisterously fought metropolitan moral decline in a cape and blue tights with his farm boy values. He leveled "slums" so they could be replaced by decent housing--thus echoing the Federal Housing Acts of the 1930s and 40s. In the end these Acts reflected the powerful and racist interests of the National Association of Real Estate Boards, which preferred federally subsidized white home ownership in the suburbs to urban housing for the benefit of all.

Superman's sadness at these failures is evident. But there is quiet poetry in the mystery of his contemporary performance.